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/Gerry_&_The_Pacemakers

souljourneyband

Soul Journey Gerry Marsden's band, The Pacemakers.Now can be booked as Soul Journey.With or without Brass section.
Garth Watt-RoyGarth started playing guitar in 1961 and formed several bands playing locally along with his brother Norman (I taught him everything he knows) Watt-Roy, (BLOCKHEADS) In 1967 Garth and Norman formed 'The Greatest Show On Earth', an 8-piece soul band and turned professional signing with E.M.I. Harvest label. With this they enjoyed record success and touring all over Europe and the U.K. In 1972 Garth joined 'East of Eden'; then moving on in '76 joined 60's band 'Marmalade' Tours with Barbara Dickson and Bonnie Tyler followed then the '70's was rounded off with a tour with B.A.Robertson. The '80's saw Garth joining the 'Q.Tips' (Featuring Paul Young).This gave Garth the opportunity to go back to his soul roots on guitar. After the break up of the Q.Tip's. Garth started touring with 60's artistes. (Heinz, Mike Berry, Jess Conrad, Jet Harris, Tommy Bruce etc In 1990 Garth was approached to join the Barron Knights for their forthcoming Australian tour. This time he was on bass guitar. This ended up an association that lasted for 12 years. On leaving the Knights, Garth went on to be a backing musician for the 'Reeling and Rockin' Show' backing artistes such as Gerry Marsden, Dave Dee, Mike D'Abo Wayne Fontana etc. Along with fronting the SJ's, Garth is currently bass player and backing singer for Gerry and the Pacemakers.
Tony Young After winning "Battle of the Bands" in the early eighties with white reggae band "The Second". Tony thought that it could be a good career move to quit a secure job and a place at Trent Polytechnic. Mmm. I think the phrase that springs to mind rhymes with 'what a mosser'. Anyway the damage had been done and with Steve Thompson went on to form the "Sincere Americans". Whilst taking on the job of lead vocals with this soul, funk, rock outfit, Tony and the band became management bedfellows with Curiosity Killed the Cat and Tapau for sometime until the inevitable split emerged in 1988. There comes a time when the mortgage has to be paid so Tony became a backing musician for such celebrated artistes such as Billy .J. Kramer, Brian Poole and PJ Proby. For ten years now, Tony has played piano for Gerry and the Pacemakers enjoying many tours overseas including the States and Australia. In his spare time he has done a number of BBC sessions for hit duo "Alicia's Attic" and the odd jingle. So after meeting Garth Watt-Roy in a bar on the east coast and introducing him to Stella, (A cruel mistress), project number 876 was about to be hatched. (The SJ's). With working commitments (see date sheet attached) it's taken time to get off the ground but in hindsight it's been well worth the wait.
Steve ThompsonSteve was offered the opportunity to play on the British sixties circuit, where he is to this day. Many world tours later he is still enjoying life on the road & as had the pleasure of working with lots of British recording artists like: Brian Poole, Mike Pender, Billy J Kramer, P.J.Proby & of course Gerry Marsden (too many to mention) Along the way, he as met lots of fantastic musicians & singers & consider himself to be very lucky to be involved with the current S,Js line up, Mitch, Andy, Tony & of course the great talent of Garth. Still a very keen song writer, He hopes that together with the band they will soon be writing their own brand of soul music…….. So, bring on Soul Journey…….part two.
Andy WildAndy joined the Liverpudlian beat combo 'Gerry And The Pacemakers', in February 2004 touring regularly to locations such as America, Canada, Australia and China. Since then he has worked as a backing musician for other sixties artists such as PJ Proby and Wayne Fontana. He currently plays Keyboards and Hammond organ in the SJs.
Mitch OldhamMitch has been performing and teaching percussion professionally for nearly 15 years. He is a specialist in Brazilian percussion as well as having great experience in Jazz, Cuban, African and South American percussion. He writes and performs with his own band ‘Battuta’ at festivals nationwide including support slots for the likes of Bill Wyman and the Rhythm Kings, Bob Geldof and performances including the Notting Hill Carnival and Edinburgh Festival. Mitch is regularly called upon to tour from a variety of artists including many World, European and U.K. tours. He has been in many successful, original, underground bands gaining much acclamation for his collaborations. As a freelance percussionist Mitch coaches and performs in and for schools, colleges, universities and businesses locally and internationally to both students and teachers working for many Arts organisations across the country including the Arts Council of England. He is the founder member of the ‘Watermelon Music Club’ and has toured and recorded with bands and productions as varied as Folk music to vocal harmony, Orchestras to Big bands. This diversity has brought him together with bands such as European Heavy Metalists ‘Skyclad’, 60’s artists Gerry and the Pacemakers, P.J.Proby, Wayne Fontana and Brian Poole and Folk-Rockers ‘Seven Little Sisters’.

Snowy White MJC 24 April 2009

The Snowy White Blues Project
Mick Jagger Centre 24th April 2009

This was a bit of a stab in the dark but the fact that he was a name and the words blues and project indicated a good evening. After an irritatingly awful drive to Dartford in very heavy Friday evening traffic we got there with about a minute to spare before the scheduled 8 p.m. starting time. I assumed there would be either a support band or they would start a fashionably bit late but I was wrong on both accounts.

I was sure we had seats but hadn’t bothered to check whereabouts we were sitting so it was a bit of a surprise when the guy at the door said that it was to be standing but now it was sitting and you could sit where you liked. If I had known that we would have left a bit earlier to get a better position. We didn’t have time even to get a drink before we were ushered in. We did manage fairly decent seats though about halfway up and just to the left of the aisle.

The band came on and it turned out to be a classic 4 piece with 2 guitars, bass and drums. Snowy, looking like a Kwik Fit mechanic positioned himself to the left of the stage and had a simple Les Paul plus AC30 set up. Matt Taylor the other guitarist went for the much more noticeable white t-shirt and jeans ensemble and suffered a little from constantly changing guitars syndrome. Ruud Weber jr was on bass and the flamboyantly named Juan Van Emmerloot was on drums.

All three of the front men did vocals and Snowy seemed quite happy to let the other two have their fair share of the fun. I did wonder if what with Snowy’s Thin Lizzy connection whether we would get a bit of hard rock but I didn’t need to worry. We got a totally blues dominated set from the word go and very good it was too. They had a CD out at the end of last year and they played quite a few songs from it ranging from some Freddie King to an acoustic I’m So Glad to a lot of tunes they had written themselves.

Apart from the acoustic songs Snowy kept to his Les Paul in standard tuning including the slide work as well. The very proficient Matt Taylor changed from either a white Strat to a black Strat to a lovely sunburst Tele after every song and had a handy guitar tech to sort them all out for him. The Tele was used for his slide work and it is no surprise that he has his own band. Check him out on You Tube.

I think they wanted to play straight through as Snowy said they were told to take a break and would be back in 20 minutes. They aren’t going to sell any beer if the band don’t take a break are they? It did us a favour we hadn’t had a chance to get one earlier and the very efficient barmaid sorted us out with a pint of London Pride and a JD & coke pretty quickly considering the number of those clamouring for a drink. When the band came back on we had more of the same and then the couple of acoustic numbers. For this Snowy and Matt had jumbos similar to a Martin D28 (I was too far away to check the make) and the drummer came out from behind the drums to sit on and play a flamenco cajon box. Juan Van Emmerloot on drums was very good. He played a simple kit and made the most of it. I’m not usually very keen on the drum side of things and prefer them to be unobtrusive but Juan was impressive.

The second acoustic song was the Skip James I’m So Glad. They played close to the original rather than the Cream version and with Snowy doing slide it was very well done. Then we had more electric to the end. Then Snowy stayed on stage while the others left and he explained that rather than go off and hope there was enough applause to come back he’d stay there and play a solo electric number until the band came back on for a final song.

They played longer than I thought which goes to show that the set didn’t drag at all (we got into the car at 10.25) so must have played the best part of 2 hours. It was very good and very enjoyable and I would definitely recommend the band if you get the chance to see them. I even bought the CD (a lot of others did as well) and it’s pretty good. In today’s marvellous way there is even a clip of the band making the album on the You Tube clip below. If you fancy a bit of sheer blues class also check out the Clapton clip below for a blistering version of Freddie King’s Someday After A While that the band might have played but I’m not sure!

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www.myspace.com/matttaylorband
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